Taxonomy of meanings for 足:
- zú (OC: tsoɡs MC: tsio) 子句切 去 廣韻:【足添物也本音入聲 】
- zú (OC: tsoɡ MC: tsiok) 即玉切 入 廣韻:【爾雅云趾足也又滿也止也從口止即玉切又將喻切二 】
- FOOT
- nfoot; feet
- nadVinstrumenton foot
- n(post-N)definitethe foot of the contextually determinate personCH
- nadNconcerning foot; of footDS
- npost-Nderivedat the foot ofCH
- n(post-N.)adVby means of N's feetCH
- n[post-N]one's feetDS
- by extension> LEG
- nleg
- nc{PRED}post-V{NUM}have V{NUM} legsLZ
- metaphorically> VESSEL PARTS
- nfeet of vessel
- SUFFICIENT
- nabfeaturesufficiency; the state when things are sufficient
- vi-.vt0+V[0]V=active(often followed by yǐ 以) be sufficient (in order to actively V)
- vigraded甚足be sufficient; be well supplied; (e.g. of words:) be sufficient for the occasion; be sufficiently qualified
- vt+prep+Nstativebe sufficient for (something) 足於
- vt+V[0]{PASS}.adNsufficient or qualified to be V-ed, deserving to be V-ed
- vt+V[0]{PASS}be worth VERBing (with passivised complement); be enough to
- vt+V[0]be sufficient to V (often followed by 以 when it must be read is "be sufficient to V with (on the basis of) it"
- vtoNbe sufficient in
- vtoNcausativecause to be sufficiently supplied; cause there to be a sufficiency of
- vtoNcausativecause (oneself) to be sufficiently supplied
- vt+prep{WEI4}.+V[0]{PASS}be worth to be Ved for; deserve to be Ved forDS
- vtoNhavehave sufficient supplies of NCH
- v[adN]what is sufficient for the purpose in handCH
- vt+prep+Nhave a sufficient amount or quantity of NCH
- vtoNcausative, passivebe caused to become sufficientDS
- amount to> REACH
- vt+Nbe as much as, amount to
- sufficiently equipped> ABLE
- vt+V[0]qualified to V
- vt+V[0]negativebe able to V, have enough ability to carry out the bad V-ingLZ
- effective> CAUSE
- vtoNbe a sufficient reason for
- subjective> SATISFACTORY
- nabpsychsatisfaction
- vifeel satisfied
- vpostadVto one's satisfaction
- vt+prep+Nbe satisfied with 足於
- vtoNpassivebe satisfied 嗜欲易足"desires are easy to satisfy"
- vibe perfectly satisfactory, be wonderfully satisfactoryCH
- vtoNto satisfyLZ
Additional information about 足
說文解字: 【足】,人之足也,在下。从止、口。凡足之屬皆从足。 【徐鍇曰:口,象股脛之形。】 【卽玉切】
- Criteria
- ABLE
[ABSOLUTE/GRADED]
[ARCHAIC/CURRENT]
[DIFFICULT/EASY]
[ENDOGENIC/EXOGENIC]
[EMOTIONAL/UNEMOTIONAL]
[INCIDENTAL/INHERENT]
[INNATE/ACQUIRED]
[LASTING!/TEMPORARY]
[PHYSICAL/PSYCHOLOGICAL]
[PRACTICAL/THEORETICAL]
1. The commonest word is néng 能 "have an inherent capacity for, have the personal ability to".
[CURRENT], [ENDOGENIC], [GRADED], [LASTING]
2. Kě yǐ 可以 "be in an objective position to, have the possibility to".
[ABSOLUTE], [CURRENT], [EXOGENIC], [TEMPORARY!]
3. Zú yǐ 足以 emphasises sufficiency of conditions necessary to get something done.
[CURRENT], [GRADED], [INHERENT], [PHYSICAL]
4. Kè 克 typically comes to emphasise the ability to do something difficult in post-archaic times, but the word was equivalent to néng 能 in early texts.
[ABSOLUTE], [ARCHAIC], [INCIDENTAL], [TEMPORARY], [PHYSICAL]
5. Rén 任 emphasises a general qualification to achieve something worth achieving and not obviously easy to achieve.
[ABSOLUTE], [CURRENT], [DIFFICULT], [ENDOGENIC], [TEMPORARY]
6. Kān 堪 typically refers to the ability to do something others might not be willing or psychologically able to do.
[ABSOLUTE], [CURRENT], [DIFFICULT], [EMOTIONAL], [ENDOGENIC], [PSYCHOLOGICAL]
7. Jì 技 "expertise, know-how" refers to the talents for crafts and the like, and the word is not normally used as a verb. See SKILL.
[ACQUIRED], [CURRENT], [DIFFICULT], [GRADED], [LASTING], [PRACTICAL]
8. Lì 力 "strength" is sometimes used to refer to an ability to do something which in some sense requires strength.
9. Zhī 知 refers to the intellectual ability to do something, especially to do something that is not intellectually trivial.
10. Jì néng 技能 refers to a lasting acquired skill.
NB: Dé 得 "cope, show an ability to do something by actually doing it" is an achievement verb and does not belong in this group. See COPE.
- EXHAUST
1. The current general word for using up anything material or immaterial is jìn 盡.
2. Jié 竭 (ant. yíng 盈 "leave plenty of something") typically refers to the using up of what one has in one, or what one owns.
3. Xī 悉 refers to using up all that is under one's control or command.
4. Qióng 窮 and dān 殫 focusses on the result of exhausting resources as being the absence of these resources.
NB: Fá 乏 (ant. zú 足 "leave a sufficient supply of") refers to the state of something being almost completely used up, and the word is thus marginal in the group.
- SUFFICIENT
1. The current general word for sufficiency is zú 足 (ant. fá 乏 "be short of something").
2. Jí 給 (ant.* quē 缺 "be short of") refers specifically to the supply of necessities for the sustenance of life.
3. Shàn 贍 refers to an abundant sufficiency of what is needed for a contextually determined purpose.
- SATISFACTORY
1. The current general word referring to something satisfying conditions or demands one might make on it is shì 適 (ant. guāi 乖 "go against")
2. Zú 足 can occasionally come to refer to the feeling that something is satisfactory.
3. Qiè 愜 (ant. qiǎn 慊 "be dissatisfied with") is a rare and elevated word describing subjective feelings of intense satisfaction. See DELIGHT
- LACK
1. The general term for the absence, lack or the failure to have something is wú 無 (ant. yǒu 有 "have").
2. Quē 缺 refers to the absence of what ought to be there.
3. Quē 闕 can refer specifically to the deliberate or inadvertent omission of what one might expect was there, but sometimes the word is used interchangeably with quē 缺.
4. Fá 乏 (ant. zú 足 "have enough of") refers to the insufficiency of something needed or the absence of supplies.
- BEAUTIFUL
[ABSOLUTE/GRADED]
[ACOUSTIC/VISUAL]
[ARTIFICIAL/NATURAL]
[[COMMON/RARE]]
[ELEVATED/VULGAR]
[GENERAL/SPECIFIC]
[HUMAN/NON-HUMAN]
[POETIC/PROSAIC]
1. The general word is měi 美 "handsome and admirable" (ant. è 惡 "ugly") which refers to anything concrete or abstract which is attractive or handsome in a dignified way, and the word often retains its primary culinary sense of "tasty".
[GENERAL], [GRADED]; [[COMMON]]
2. Lì 麗 (ant. sù 素 "unaodorned") is often restricted to physical objects, prototypically to clothes, and emphasises their balanced symmetric beauty, occasionally also - by analogy - the well-aligned symmetric beauty of mountains.
[ELEVATED], [NON-HUMAN], [VISUAL!]
3. Wén 文 (ant. zhì 質 "merely material") emphasises cultivated external as well as internal elegance as well as traditionalism.
[ARTIFICIAL], [ELEVATED], [NON-HUMAN], [VISUAL!]
4. Yǎ 雅 (ant. sú 俗 "vulgar") emphasises primarily external elevated elegance.
[ACOUSTIC!], [ARTIFICIAL], [ELEVATED+], [NON-HUMAN]
5. Hǎo 好 "comely, handsome" (ant. chǒu 醜 "ugly") refers indiscriminately to men and women, but the word is sometimes more general and even abstract in application and refers to attractive words or attractive moral qualities.
[HUMAN!], [NATURAL], [VISUAL]
6. Xiù 秀 "of vigorous and imposing beauty" focusses on flourishing and flamboyant beauty in analogy with that of flowers.
[ELEVATED], [NATURAL], [NON-HUMAN], [POETIC], [VISUAL]; [[RARE]]
7. Huá 華 "of striking and colourful beauty" (ant. sú 俗 "vulgar") focusses on flourishing and flamboyant superficial or only apparent beauty, on the analogy analogy with that of flowers.
[ARTIFICIAL], [ELEVATED], NON-HUMAN], [SUPERFICIAL], [VISUAL]
8. Zhuàng 壯 "stately" (ant. ruò 弱 "weak and unsightly") is virile beauty associated with strength and vigour. See STRONG
[NATURAL], [MARGINAL], [POETIC]; [[RARE]]
9. Jiā 佳 "of outstanding beauty" (NB: liè 劣 "unremarkable" is the ant. of jiā 佳 "outstanding", and not in the meaning of "outstandingly beautiful") emphasises comparative beauty compared to others in the same group.
[GRADED], [ELEVATED], [NATURAL], [POETIC]
10. Dū 都 "urbane and exquisitely beautiful" (ant. bì 鄙 "rustic and inelegant") is a highly poetic word that can only be used in elevated prose.
[ARCHAIC], [ELEVATED], [POETIC], [VISUAL]; [[RARE]]
11. Yán 妍 "attractive and exquisite (of humans as well as human products)" (ant. chì 蚩 "unattractive") refers to elaborate beauty. See SEXY.
[ARCHAIC], [ELEVATED], [HUMAN], [POETIC]; [[RARE]]
12. Xiū 脩 / 修 "refined moral beauty" refers to moral as well as physical beauty, thus coming close the Greek kalokagathia, but never approaching the latter in importance as a cultural keyword.
<div>[ELEVATED], [ARTIFICIAL]; [[RARE]]</div><div><br></div><div>吳蓬,東方審美詞彙集萃,上海文藝出版社,2002 lists the following rough definitions of a variety of terms of aesthetic appreciation by the artist and scholar Wu Peng. Many of these terms express conventional appreciative flattery only. This list does provide one not particularly well-known artist's subjective readings of some basic terms of traditional Chinese aesthetic approbation.</div><div>勃:富有生机之突起。<br>苍:浓的,毛的,老练的。<br>沉:沉着不浮,有重量感。<br>冲:调成和淡之意向。<br>饬:整顿。<br>粗:大而不笨者。<br>淳:清,往往易薄,然而淳是清中滋润之厚。<br>醇:与淳略同,这醇是提炼后的滋润之厚。<br>绰:与"约"字合用,即舒而不纵之意。<br>澹:平静而有幽淡之趣。<br>淡:与浓艳相对。<br>宕:放荡不拘。<br>跌:往往与"宕"字合用,即是起伏明显之状。<br>端:方正而不出偏,有稳实感。<br>敦:很实在的,结实的厚。<br>繁:众而密,有生气。<br>方:与平正同义。<br>丰:饱满而充足。<br>风:审美中之"风"指的是一种气韵格调。<br>飞:大幅度的流动。<br>刚:属于阳性的,有正力的,与柔软相对。</div><div>高:俯视一切的、超然得不一般。<br>工:规矩,不潦草。<br>孤:自我独立。<br>古:旧气,更有历史的抗怀千载之迹象。<br>骨:内在的架子。<br>犷:是跟"雄悍"接近,在粗中发展开来。<br>瑰:不单调的美。<br>乖:不和顺。<br>憨:近于拙朴而敦实。<br>酣:厚润四溢。<br>豪:激动向上之貌,有气魄。<br>宏:大而有气度。<br>厚:有沉积的饱和。<br>华:明亮而艳丽。<br>环:长久圆融之境。<br>荒:与"枯简"接近,不修饰。<br>豁:与开朗接近,然比开朗明显。<br>恢:宽广有余。<br>浑:团然一气之象,有朦胧感。<br>简:经过一番整修的减少。<br>娇:美得可爱。<br>警:审美中用此警字,往往指敏锐、颖达。<br></div><div>劲:能察觉的力。<br>精:很到位。<br>隽:精致而具内涵之美。<br>娟:秀而婉丽。<br>崛:高起而突出。<br>俊:人材杰曲之美。<br>峻:山高而陡。在书画中是浓而锋利之用笔。<br>空:有灵气之空白。<br>枯:干而毛,生的萎缩,然亦是力的显露。<br>宽:大度而畅朗。<br>旷:广阔而空灵。<br>辣:是枯毛爽直的老笔触。<br>朗:明亮而豁然。<br>琅:圆而光润。<br>伦:是同类之意,带有文明意念。<br>冷:跟"淡"与"静”接近,与浓烈相对。<br>炼:精到而有功力。<br>淋:与"漓”往往合用,是无拘束的洒落。<br>流:明显的动感。<br>迈:阔而放的超势。<br>莽:宽广而繁密的,朴直奔放的。<br>袤:与"古"字合用,即悠长久远之趣。<br>茂:有生气的繁密。<br>媚:柔美之趣。<br>宓:安而静。<br>明:清晰有亮度。<br>凝:浓重而不流动。<br>懦:毫无火气之柔软。<br>平:一般的,接近于稳。<br>朴:原始状态,形象较准。<br>嫖:与"姚"字合用,即动疾之状,而有气势。<br>奇:不一般。<br>气:生发的,迎面直扑而来的感觉。<br>清:是混的相对。其间透出一股朗气。<br>峭:山之直而险,在书画中是露锋的侧锋用笔,有明显露<br>尖状态。文章中之峭,是意气直逼。<br>遒:婉转有致,内力强劲。<br>虬:与遒类似,但动感较强,弯曲而有力度。<br>意:诚实谨慎。<br>儒:代表文人之书卷气。<br>洒:散落无拘束。<br>赡:富有与丰实。若与"疏”、"逸”组合即成"澹”或"安"之义。</div><div>骚:审美中之骚字,可引伸为风骚至风流感。<br>韶:美丽有光泽。<br>涩:在不爽快的进程中,流露出内力之美。<br>深:不是浮面的。<br>神:精与气合。高端的。<br>生:不成熟,但比成熟有味。<br>肆:任意放纵。<br>松:松是灵活自然,是一切技巧之本要。<br>瘦:与粗笨相对,在审美中的"瘦",是指细长而精练。<br>疏:一种稀少秀朗之美。<br>肃:有立即静穆下来之势。<br>率:与潦草随便有别,爽快而直接。<br>邃:深远而悠久。<br>阅:通达之意。<br>给:与"宕"合用,是安详舒放之趣。<br>天:很自然,一片天箱之"天"。<br>恬:安静而坦然。<br>挺:直而有生气。<br>婉:柔和而曲折。<br>温:是一种暖调与缓和的综合。</div><div>巍:往往与"峨"合用,是高大厚实之趣。<br>洗:与"炼”合用,即是"精炼"之意,凡物之洁出于洗。<br>犀:与"利"字合用,即坚利。<br>熙:光明,和乐。<br>细:指细而不纤。<br>娴:文静而雅致。<br>闲:一种高雅的自由。<br>萧:疏少有致。<br>潇:散朗而润泽。<br>馨:很醇厚的香气。<br>篁:"篁古”是悠远辽阔之意。<br>雄:强大,有力度,有霸气。<br>秀:灵巧的,有生气的,美好的显露。<br>虚:表象空,但并非真空。<br>雅:文气而不俗。<br>妍:鲜美而柔性。<br>严:认真,不马虎。<br>淹:一种浸沉与精深明达之境。<br>野:超脱、不规范。<br>冶:经过一番精致修饰。<br>逸:悠闲的起伏。</div><div>意:精神倾向。<br>莹:透明而幽亮。<br>雍:往往与“容"字合用,有和顺之貌。<br>幽:静而深。<br>腴:肥润而饱和。<br>郁:厚积而有生气。<br>纤:与"迥"字合用,即弯环回绕之趣。<br>遹:与"瑰"字合用,即纤迥美丽之趣。<br>渊:往往与"懿"合用,是深润而悠美之趣。<br>圆:接近于饱满润滑。<br>蕴:与"藉"合用,即内涵丰富。<br>韵:一种余味不尽之趣。<br>恣:放纵的,无拘束的。<br>滋:湿润感。<br>自:出于本性的流露。<br>质:本体的,实在的。<br>纵:放逸无拘之状。<br>拙:接近朴,形不准。<br>庄:端正之貌。<br>卓:与“荤"合用,是突出明显之状。<br></div><div><br></div><br>
- LEG
1. The current general word for the leg as a whole is the same as that for the foot, zú 足, but the word can also be used in a broader meaning including the shin.
2. Jiǎo 腳 is an exceedingly rare colloquial word for the foot but can occasionally be used to refer also to the shin.
NB: Tuǐ 腿 is late colloquial (MING).
- DANCE
1. There is only one common word for dancing, wǔ4 舞, and this focusses mainly to the movement of the arms.
2. Dào 蹈 focusses mainly on the movements of the feet in dancing. Cf. 手舞足蹈 "dance with one's arms and dance with one's feet".
3. Yuè 樂 is sometimes used to refer specifically to dancing accompanied by music.
- FEW
1. The current general word referring to the relatively small number or the small amount of something is shǎo 少 (ant. duō 多 "many, much").
2. Guǎ 寡 (ant. zhòng 眾 "numerous" and occasionally also duō 多 "large in quantity") typically refers specifically humans not being numerous as opposed to larger groups of humans, but the word comes to refer also to any quantity being relatively large ( 五穀多寡 "the relative abundance of grain") and I have not found a systematic difference in nuance with shǎo 少 when the word is so used, except for the generally subjective intuition that guǎ 寡 being the dominant word in early times, perhaps retained a somewhat more dignified stylistic value throughout.
3. Fá 乏 and kuì 匱 (ant. zú 足 "enough") refer specifically to the shortage of something one definitely needs more of.
4. Xī 希 / 稀 and the more archaic xiǎn 鮮 refers to sparsity of distribution.
5. Jiǎn 減 (ant. zēng 增 "increase") refers specifically to the reduction of the amount of the number of something. See also DIMINISH.
- FOOT
1. The general word for a foot is zú 足.
2. Zhǐ 趾/止 is an archaic word for the foot.
3. Fán 蹯/膰 refers to the paws of predatory animals.
4. Zhí 跖 (to be distinguished from the also anciently homophonous zhí 蹠 "jump over") is a (probably colloquial) exceedingly rare word for the sole of a foot.
5. Jiǎo 腳 is exceedingly rare in pre-Buddhist times.
- Word relations
- Object: (FOOT)斬/CUT
Zhǎn 斬, fá 伐, zhuó 斫, zhuó 斲 describe the violent hacking off of a part from a whole. - Contrast: (SUFFICIENT)多/ABUNDANT
Duō 多 is the general word for a large number or a large amount of things. See MANY. - Contrast: (DESERVE)可/SHOULD
Kě 可 precedes passivised verbs and expresses the idea that some object should be VERBed. See MUST - Assoc: (SUFFICIENT)備/SUFFICIENT
- Assoc: (SUFFICIENT)給/SUFFICIENT
Jǐ 給 (ant.* quē 缺 "be short of") refers specifically to the supply of necessities for the sustenance of life. - Assoc: (FOOT)手/HAND
The standard word is shǒu 手 "hand", which can refer to the arm as a whole. - Synon: (SUFFICIENT)具/SUFFICIENT
- Synon: (SUFFICIENT)給/SUFFICIENT
Jǐ 給 (ant.* quē 缺 "be short of") refers specifically to the supply of necessities for the sustenance of life. - Oppos: (LEG)色/FACE
Sè 色 refers specifically to the face as expressive of mood and emotion. - Oppos: (FOOT)頭/HEAD
Tóu 頭 is probably a dialect word meaning "head" and in any case the word seems to have a colloquial flavour.