Taxonomy of meanings for 玄:　　

Additional information about 玄

說文解字: 【玄】，幽遠也。黑而有赤色者爲玄。象幽而入覆之也。凡玄之屬皆从玄。 【胡涓切】 【𠵓】， 〔小徐本古文作「 【𢆯】」。〕 古文玄。

Criteria
• AGAIN
  

  [CYCLIC/LINEAR]

  [GENERAL/SPECIFIC]

  [INCREASING/STATIC]

  [SUBJ=HUMAN/SUBJ=NON-HUMAN]

  1. Fù 復 tends to refer to a cyclic repetition of any any event, action, or process.

  [CYCLIC!], [GENERAL]

  2. Yòu 又 refers to linear repetition, often of an incremental nature, of any event, action, or process (compare LAO 玄之又玄 "even more mysterious than the mysterious".

  [GENERAL], [INCREASING!], [LINEAR]

  3. Zài 再 refers generally to linear repetition of the same action, typically by a human agent.

  [GENERAL], [LINEAR], [SUBJ=HUMAN!]

  4. Gèng 更 in front of transitive verbs typically implies a change of object and thus often retains elements of its original force "improve", and the word often retains the nuance of an intended systematic improvement achieved by the change.

  [SPECIFIC], [SUBJ=HUMAN]

  5. Xí 襲 refers to repetition by way of a continuation of a traditIon. See REPEAT.

  [LINEAR], [SPECIFIC], [SUBJ=HUMAN]

• CHINESE LANGUAGE
  

  1. guānhuà 官話 "Mandarin" is obsolete, and its traditional antonym was xiāngyǔ 鄉語 "local speech".

  From Míng Dynasty times, this was a current word for the common vernacular language used by administrative staff of any kind throughout China.

  DC: 明何良俊《四友齋叢說 ‧ 史十一》： " 雅宜不喜作鄉語，每發口必官話。 "

  2. báihuà 白話 "plain speech, vernacular" (as opposed to wényán 文言 )

  This is a modern word referring to an easily accessible written version of the Chinese language. In classical contexts or early vernacular contexts the expression always seems to refer to "empty talk" rather than the vernacular language.

  3. guóyǔ 國語 "national language" (ant. wàiyǔ 外語 ) (pre-1950ies and Taiwan)

  A word that continues to be in increasing common use even in Mainland China today, and which is standard in places like Malaysia or Singapore, as well as in Taiwan.

  4. zhōngguóyǔ 中國語 "language of China" (ant. wàiguóyǔ 外國語 )

  Current Japanese way of writing the Japanese word for the Chinese language, but the expression has a long history in China, the first attested use being in Yáng Xióng's Model Sayings of the first century BC.

  5. pǔtōnghuà 普通話 "common language" (Mainland China) (ant. dìfāngyǔ 地方語, fāngyán 方言 "dialect (not in the ancient meaning)")

  This is a very common modern expression which corresponds to Greek koinē, and the word is always used in counterdistinction to (often mutually incomprehensible) dialects. The word has a rather political flair.

  6. Hànyǔ 漢語 "language of the Hàn people" (should include all dialects, but is often used otherwise)

  This is the most current word for the Chinese language as opposed to other 族語 "national languages". The word is very current in the Buddhist Tripitaka, but it is also attested elsewhere 庾信《奉和法筵應詔》： " 佛影胡人記，經文漢語翻。 ". The term is also attested in 世說新語.

  7. Zhōngguóhuà 中國話 "Chinese speech" (includes all dialects)

  This word is always used in counterdistinction to foreign languages. It has become current in international contexts in nineteenth century novels.

  8. Zhōngwén 中文 "Chinese (typically written) language" (ant. wàiwén 外文, often icludes speech: 會說中文 )

  This word is already attested in the medieval 搜神記, where it refers to the written language. In Modern Standard Chinese this is a very common way of referring to Chinese as opposed to foreign languages, and as a subject in school curricula.

  9. Huáyǔ 華語 "Chinese talk" (used mainly in Singapore, Hong Kong etc.)

  This word has a long history in Buddhist texts, and it is also already attested in 劉知幾《史通 ‧ 言語》： "... 必諱彼夷音，變成華語.

  10. Hànyīn 漢音 "Han-Chinese sounds" refers to the Chinese language in a poetic style. Sanskrit is currently referred to as 梵音.

  HD sub verbo 漢文： 2. 漢語；漢字。南朝梁僧祐《梵漢譯經音義同异記》： " 或善梵義而不了漢音，或明漢文而不曉梵意。 "

  HD: 2. 指漢語。南朝宋朱廣之《咨顧道士＜夷夏論＞》： " 想茲漢音，流入彼國。 "

  老子漢人也。

  新修科分六學僧傳 R133_p0714a04(02)║

  胡蕃國也。土地不同。則言音亦異。當其化胡成佛之際。為作漢音耶。作蕃音耶。苟以漢音。則蕃國有所不解。以蕃音。則此經之至。宜須翻譯。

  11. Hàn yán 漢言 "Hàn language, language of the Hàn Dynasty> Chinese" (ant. 胡言 or 胡語 ) is a historico-ethnographic term.

  This remained a very common way of referring to the Chinese language long after the Hàn Dynasty, as is clear from the Buddhist Tripitaka. (424 occurrences in CBETA.)

  T25n1512_p0835b29(05)║

  胡言般若波羅蜜。

  漢言智慧彼岸也

  T48n2023_p1095c25(00)║

  志曰。

  佛者。 Buddha

  漢言覺也。 is "the enlightened" in Hàn language"

  將以覺悟群生也。 He will bring enlightenment to the sentient beings.

  12. Wényán 文言 "literary Chinese" (ant. báihuà 白話 "plain vernacular") today refers to a modernised version of traditional classical Chinese, as used for example in letters. But in the Buddhist Tripitaka, for example, the phrase regularly refers to ornate Chinese, ornate formulations. Neither traditionally nor in modern times is 文言 used in counterdistinction to foreign languages: the contrast is with other varieties of Chinese.

  DC: 4. 別於白話的古漢語書面語。蔡元培《在國語傳習所的演說》： " 文言上還有例句，如 ' 爾無我詐，我無爾虞 ' 等。 "

  13. wényánwén 文言文 "literary Chinese writing" (ant. báihuàwén 白話文 ) refers to classical Chinese as it continues to be used in the introductions to books and in formal letter-writing.

  This is a twentieth century word, as far as I can see.

  14. báihuà-wén 白話文 "plain talk writing" (ant. wényánwén 文言文 ) is a term with a strong stylistic nuance.

  This is a twentieth century word.

  15. tōngyòngyǔ 通用語 "general use language".

  This is a twentieth century neologism designed to replace 普通話. The term has never achieved broad use.

  16. dàzhòngyǔ 大眾語 "mass language" is obsolete today.

  This is a politicised ideological concept stressing the universal use and popularity of the Chinese language as advocated by language politicians. It is a twentieth century political neologism.

  17. guówén 國文 "state writing" refers in a formal way to written Chinese.

  This is a twentieth century term mainly used in connection with educational politics.

  HD: 許地山《東野先生》： “ 這不是國文教科書底一課麼？ ”

  18. Hàn wén 漢文 (obsolete, current in Buddhist texts) "Hàn (typically written) language"

  HD: 2. 漢語；漢字。南朝梁僧祐《梵漢譯經音義同异記》： " 或善梵義而不了漢音，或明漢文而不曉梵意。 "

  19. Zhōngguó wénzì 中國文字 "the Chinese (written) language"

  T49n2036_p0477a06(03)║　

  中國文字未通。蓋不可知也。

  R110_p0542b01(05)║

  偈語原必有韻譯以中國文字。則無可協。

  R110_p0542b09(00)║

  流入東土後。以中國文字經為尊稱。故亦稱經。

  20. Huá yán 華言 is an obsolete traditional term for Chinese that comes over 1200 times in Taisho Tripitaka.

  R150_p0541a 13(00)║

  剌麻者。乃西域之尊稱。

  譯華言為無上二字。

  R149_p0695a 12(00)║

  梵語阿修羅。亦云阿素洛。

  又云阿須倫。

  華言非天。

  R149_p0718b05(03)║

  梵語袈裟華言壞色衣。

  21. dōngtǔ Huáxiàyán 東土華夏言 "Chinese language in the eastern regions" is an ad hoc periphrastic expression which one might insist was never lexicalised, but it is perhaps worth recording just as well, if only in order to

  R059_p0119b04(00)║

  梵語。西天梵國語也。

  華言。東土華夏言也。

  譯者翻也。

  謂翻梵天之語。轉成漢地之言也。

  22. Hàn'ér yányǔ 漢兒言語 "Hàn language" is a term that is current in Korean textbooks of colloquial Chinese, like the famous 老乞大 : “ 你是高麗人，卻怎麼漢兒言語說的好。 ” See also the article in 太田辰夫《漢語史通考 · 關於漢兒言語》

  23. Jìn wén 晉文 (obsolete, current in Buddhist texts) "Jìn (typically written) language" is fairly rare, but clear examples are easily found:

  T50n2059_p0326c12(02)║

  還歸中夏。

  自燉煌至長安。

  沿路傳譯寫為晉文。

  24. Jìn yán 晉言 (obsolete, current in Buddhist texts) "Language of the Jìn" is common indeed, but many examples can be read technically as "in Jìn this translates as". Not however in this example:

  於龜茲國金華祠。

  T14n0434_p0105ā6(01)║　

  演出此經。譯梵音為晉言。

  T33n1693_p0001ā7(01)║

  斯經似安世高譯。為晉言也。 (punctuation probably wrong!)

  25. Jìn yǔ 晉語 (obsolete, current in Buddhist texts) "Speech of the Jìn"

  T50n2059_p0329ā2(00)║

  手執梵文口宣晉語。

  T55n2145_p0072b24(03)║

  先誦本文。

  然後乃譯為晉語。

  26. Jìn yīn 晉音 "Jìn Dynasty speech"

  T14n0434_p0105á1(00)║

  沙門慧海者。通龜茲語。

  善解晉音。

  林復命使譯龜茲語為晉音。

  T50n2060_p0634á6(02)║

  外國語云阿耨菩提。

  晉音翻之無上大道。

  27. Qín yán 秦言 "Qín language> Chinese" is the standard way of providing Chinese translations for Sanskrit words in the Buddhist Tripitaka. (No less than 1132 examples in CBETA, but mostly formulaic, as in the following examples.)

  答曰。摩訶秦言大。 "maha is "big"in Chinese"

  T25n1509_p0383á2(03)║

  今問摩訶薩義。摩訶者秦言大。

  28. Qín yǔ 秦語 "Speech of the Qín > Chinese"

  In the Buddhist Tripitaka, this is a very formal term for Chinese, not very common. (Only 22 occurrences in CBETA)

  T26n1543_p0771b02(08)║

  梵本十五千七十二首盧 ( 四十八萬二千五百四言 ) 。

  秦語十九萬五千二百五十言。

  T51n2068_p0053c09(05)║

  什自手執胡經。

  口譯秦語曲從方言而趣不乖本。

  T51n2068_p0054á9(07)║

  什自執梵本口譯秦語。

  T55n2145_p0072b07(28)║

  胡本十五千七十二首盧 ( 四十八萬二千三百四言 ) 秦語十九萬五千二百五十言

  T55n2145_p0073c09(02)║

  胡本一萬一千七百五十二首盧長五字也。

  凡三十七萬六千六十四言也。

  秦語為十六五千九百七十五字。

  29. Táng wén 唐文 (obsolete, current in Buddhist texts) "Táng (typically written) language"

  This is the standard way of referring to the written Chinese language in Buddhist texts of the Táng dynasty.

  R130_p0664b06(02)║

  以華言唐文刻釋氏經典

  T39n1797_p0803b21(10)║

  不得梵文依唐文得意亦同。

  T48n2025_p1160a24(08)║

  唐文多對偶當盡翻譯。

  T50n2060_p0614c17(05)║

  有天竺三藏大齎梵本擬譯唐文。

  R024_p0177a16(02)║　

  語精梵言。

  雖亦兼美唐文。

  乍來恐未盡善。

  30. Táng yán 唐言 (obsolete, current in Buddhist texts) "Language of the Táng".

  1523 occurrences in CBETA. Occasionally, one wonders whether this does refer to Táng time Chinese whereas Hànyīn 漢音 does not:

  T20n1177Ap0724c02(01)║

  遂將得舊翻譯唐言漢音經本在寺。

  31. Táng yǔ 唐語 (obsolete, current in Buddhist texts) "Speech of the Táng"

  A fairly rare way of referring to the Chinese language in Táng Buddhist texts. (Only 18 occurrences in CBETA)

  R014_p0563a14(02)║

  印度罽賓皆未詳唐語。

  R036_p0985a16(18)║　　　　

  又多兩重怗文當知初依梵文後釋唐語

  T30n1579_p0283c07(05)║

  三藏法師玄奘。

  敬執梵文譯為唐語。

  32. Táng yīn 唐音 "Táng speech" is a regular expression for Táng Dynasty Chinese in the Buddhist Tripitaka.

  R036_p0584b13600)

  梵語本是兩名唐音無以甄別

  R066_p0717b08(01)║

  此偈乃是梵語訛言。

  傳者將為唐音正字。

  33. Tánghuà 唐話 "Táng talk" is a current Cantonese term for Chinese, and the famous intellectual 許地山 writes: 他說的雖是唐話，但是語格和腔調全是不對的。 But in this phrase, I am instructed by my teacher and friend Jiǎng Shàoyú, Táng refers not to the dynasty but to 唐山.

  34. Dà Táng yǔ 大唐語 "Speech of the Great Táng Dynasty" is rarely attested, but the word does exist:

  R150_p1055b17(00)║

  若僧雖是新羅人。却會大唐語。 Monk Ruò was a person from Xīnluó, but he spoke the language of the Great Táng Dynasty.

  35. Hàn 漢 is an abbreviation for Hànyǔ 漢語 currently used in Buddhist translation theory, but the word is not in itself a term for the Chinese language outside such technical contexts.

  T21n1293_p0378c15(02)║　

  翻梵為漢 Translate the Sanskrit into Chinese.

  R068_p0353b05(05)║

  梵是天竺之言。

  漢是此土之語。

  R133_p0623b09(07)║

  序以條列梵漢旨義。

  R005_p0007b03(02)║

  翻譯之家自有規准。 The specialists in translation have their own standards.

  若名梵漢共有。 If a term exists both in Sanskrit and in Chinese

  則敵對而翻。 than they just match the terms up in translation.

  36. Táng 唐 "language of the Táng Dynsasty.

  梵唐

  T54n2133Ap1196b12(02)║　

  一曰義淨撰梵語千字文。

  或名梵唐千字文。

  T55n2176_p1118a01(00)║　

  梵唐對譯阿彌陀經一卷 ( 仁 )

  This is the same as 梵唐語：

  T55n2176_p1118b20(00)║　

  梵唐語對註譯大佛頂真言一卷

  T55n2176_p1119c19(18)║

  梵唐對譯法花二十八品

  T55n2176_p1120a05(00)║　

  梵唐對譯金剛般若經二卷

  T55n2176_p1131a06(00)║　

  梵唐文字一卷

  37. Jìn 晉 "the language of the Jìn Dynasty.

  The term is rarely used to refer directly to the language, unlike the common Táng 唐. But examples do exist:

  T55n2157_p0795c08(08)║

  既學兼梵晉故譯義精允。

  38. nèidìhuà 內地話 refers to the language spoken on the Mainland, and the word is mostly used on Taiwan. This term represents an outsider's view on the Chinese language. (2.9 million hits in Google! This important word was brought to my attention by Jens Østergaard Petersen.)

  39. shénzhōu yǔ 神州語 "the language of our divine land" is quaint, nationalistically sentimental, and a rare way of referring to the Chinese language.

  beijing.kijiji.cn/á1221463.html:

  心中一暖，想到他居然會說神州語，正要說些甚麼，但一開口，嘴部動作牽動喉嚨，...

  40. zúyǔ 族語 "the national language (of the Chinese) is a borderline case because the term refers to national languages in general, and only by extension to Chinese in particular.

  42. Hàn dì zhī yán 漢地之言 "language of the Ha4n territory" is a marginal periphrastic expression which one should probably not regard as a lexicalised item. One could study such periphrastic expressions separately from the lexicalised vocabulary.

  R059_p0119b06(06)║

  謂翻梵天之語。轉成漢地之言也。

  [43. jīngpiànzi 京片子 "Chinese as spoken in Peking" is a borderline case because it does refer to Peking speech, but not insofar as it is the standard for the whole of China. Colloquial examples of this sort could be multiplied...]

• YOU
  

  1. The current general second person pronouns are rǔ 汝 in informal contexts, and in polite contexts zǐ 子.

  2. The current informal pronoun is rǔ 汝, and this word is commonly used in imperatives.

  <div>3. Ěr 爾 is another informal second person pronoun, and the word is not generally used in imperatives.</div><div><br></div><div>4. Ruò 若 is a poetic/archaising second person pronoun that went out of current use in Tang (待考）times. </div><div><br></div><div>5. Jūn 君 addresses superiors as well as equals formally, and politely.</div><div><br></div><div>6. Qīng 卿 is probably stylistically colloquial and addresses inferiors informally.</div><div><br></div><div>7. Dà wáng 大王 is the polite formal address to any king, small or powerful. </div><div><br></div><div>8. Wú zǐ 吾子, extremely common in the Zuozhuan, is respectful and honorific, but in a communicativ and sometimes even intimate mode: ·鄭玄注："吾子，相貌之辞。<br></div><br>

• OBSCURE
  

  1. The current general word for mysteriousness is xuán 玄.

  2. Miào 妙 adds to the notion of mysteriousness that of intricacy and felicity of structure.

  3. Ào 奧 emphasises the recondite obscurity and supernatural links of the mysterious.

• MYTHICAL ANIMALS
  

  1. Sìlíng 四靈 is a general term for four supernational creatures: dragon lóng 龍, tiger hǔ 虎, phoenix fènghuáng 風凰, and turtle guī 龜. The main source for names of various mythical creatures is the SHJ, with its splendid illustrations.

  2. Lóng 龍 is the most divine of all mythical animals. The dragon brings a happiness and good fortune, and an emperor is viewed as its embodiment.

  3. Jiāo 蛟 is a flood dragon, a mythical creature capable of invoking storms and floods. Also written 鮫.

  4. Shé 蛇 (snake) was worshipped in ancient times. The supernational creature of the north, xuánwǔ 玄武 is depicted as a turtle with a snake, and creators of humankind, Fúxī 伏羲 and Nǚwā 女媧 have both snake tails. The dragon was often viewed as a kind of snake.

  5. Guī 龜 (turtle) is one of the four supernatural creatures. It symbolizes a longevity and good fortune. The turtle was often used in divination and sacrifices, and its images appears as a base of the stelae.

  6. Fènghuáng 風凰 (phoenix) is one of the four supernatural creations, the most elevated of all birds. It symbolizes happiness, good omen, and peace.

  7. Qílín 麒麟 (mythical unicorn) is one of the four supernatural creations. It is a symbol of an extreme humanity of a king or emperor, as well as good fortune and a peace.

  8. Bìxié 辟邪 is a mythical animal resembling a deer with two long horns and a long tail which can expel evil influences.

• DARK
  

  1. The most current general word for physical shadowiness and obscurity is probably yōu 幽 (ant. míng 明 "bright"), but this word often has lyrical overtones of secluded peace.

  2. Míng 冥 (ant. guāng 光 "light"), hūn 昏 (ant. zhāo 昭 "bright") and the rarer mèi 昧 (ant. xiǎn 顯 "clear and manifest") refer freely to purely optical darkness and abstract obscurity.

  3. Xuán 玄 "very dark reddish-black" (ant. bái 白 "plain white") currently refers to mysterious obscurity of the abstract kind. See MYSTERIOUS

  4. Huì 晦 (ant. zhāng 彰 "plain and manifest") refers to obscurity, expecially of texts or of thoughts.

  5. Měng 蒙 (ant. yào 耀 "bright and clearly visible") refers to psychological dimness, obfuscation of mind.

  6. Yǐn 隱 focuses on the inaccessibility to discursive reasoning of what is mysterious.

  7. Àn 暗 / 闇 (ant. míng 明 "bright") can refer to darkness but most of the time this word actually refers abstractly to the benightedness of a ruler.

  8. Yīn 陰 "shadowy, shaded" (ant.* liàng 亮 "bright") describes the lack of light as contrasted with surrounding light.

  9. Ài 曖 is pervasive darkness as a general state, where mèi 昧 is darker than ài 曖.

  10. Hēi 黑 (ant.* hào 皓 "shiny and bright") is darkness imposed by the intrinsic darkness of pigment on an object. See BLACK.

  11. Yǎo 杳 is used in poetry as a general word referring to darkness.

  12. Wū 烏 (ant. hào 皓 "shining white") is quite rare and refers to a high degree of darkness that is without lustre not quite pitch dark.

• MONEY
  

  1. Probably the most current term for money is qián 錢, but the word became current only in Han times. The word originally referred to the agricultural implement similar to or identical with bù 布 (see below). In the Warring States period, the term was together with bù 布 used for spade-like coins. Later, it began to refer to round money casted by the Qin dynasty, and in Han times it became a current general word for money.

  2. Bì 幣 referred originally to the silk which could be used for sacrifice or as a gift. In the Warring States period, the term refer to precious things (jades, horses) often used as a gift. In Han times, the word was used like a general term for money.

  3. Dāo bù 刀布 could be used like a general term for money in the Warring States period.

  4. Bù 布 refers to the bronze coins cast in the shape of bù 布 (spade-like implement in ancient China). The earliest exemplars (of remarkably large size and with hollow handle) are known from the states of Jin and Zhou and dates from the end of the sixth century B.C.. During the following Warring States period, this type of coin (usually with a flat handle) was in use particularly in the states of Wei, Han and Zhao, but also in Chu. The coins were usually inscribed with the name of a state or city where they were cast. After Qin unification, bù 布 came out of use, but they were revived for a short time during the reign of the Wang Mang's Xin dynasty.

  5. Dāo 刀 refers to the bronze knife-like coins. They came into use slightly later than bù 布 coins, and were cast particularly in the eastern states of Yan, Qi, but also Zhao. Some exemplars survived till the early Han dynasty; later, shape-like coins were revived for two years (7 - 9 A.D.) by Wang Mang. These knife-like coins from the end of the Western Han dynasty were called cuò dāo 錯刀.

  6. Bèi 貝 originally referred to the cauri shells which were in Shang and Western Zhou times used like primitive money or like a gift. For this purpose, they were joined to péng 朋, consisting of two strings of shells, five pieces each. In the Warring States period, the word also referred to the bronze coins in the shape of cauri which were in use in the state of Chu.

  7. Huán 圜 refers to the round coin with a square hole in a centre which was cast by the states of Qin and Zhou. After Qin unification, it became general currency for a whole empire.

  8. Yuán 爰 refers to the rectangular pieces of gold which were used like money in the state of Chu. It is the earliest golden currency in China.

  9. Bàn liǎng 半兩 refers to the round coin with a central square hole which was for the first time cast by the state of Qin in the late Warring States period and which was then in use till the second half of the second century B.C.. The coin should weight half of liǎng 兩 (i.e. 12 zhū 銖 ), and this weight was recorded in an inscription on the coin; hence the name. In fact, coins of this type known from Qin and early Han times are of very various height; in early Han times, most current were coins weighting four zhu 銖.

  10. Wǔ zhū 五銖 refers to a round coin with a square hole weighting five zhū 銖 which was for the first time cast under Emperor Wudi in 118 B.C. and was then in use during the whole Han dynasty (with a short break about the time of Wang Mang's reign).

  11. Mǎ tí 馬蹄, lù tí 鹿蹄, huán tí 圜蹄, and lín zhǐ 麟趾 are various terms referring to the pieces of gold formed into the shape of horse's, deer's, or qí lín's 麒麟 hoof. This kind of currency was in use under the Han dynasty.

  12. Dà quán 大泉, xiǎo quán 小泉, zhuāng quán 壯泉, xuán quán 玄泉 are all round coins of various size dating from Wang Mang's reign.

  13. Pí bì 皮幣 refers to the money made of deer skin which were in use in the reign of Emperor Wudi (141 - 87 B.C.).

• BLACK
  

  [[COMMON/RARE]]

  [DRAMATIC/UNDRAMATIC]

  [ELEVATED/FAMILIAR]

  [+FIG/LITERAL]

  [GENERAL/SPECIFIC]

  [IDIOMATIC/NON-IDIOMATIC]

  [POETIC/PROSAIC]

  1.The standard word is hēi 黑 (ant. bái 白 "white") which refers to anything very dark.

  [GENERAL], [LITERAL], [PROSAIC]; [[COMMON]]

  2. Xuán 玄 (ant. sù 素 "pristine unadorned white") refers to a redish mystifying black. SW: 黑而有赤色者

  [ELEVATED], [+FIG], [POETIC!]

  3. Àn 黯 (ant. hào 昊 "shining bright (of sky)") is rare and poetic, and the word refers to the threatening darkness of clouds in a thunderstorm.

  [DRAMATIC], [ELEVATED], [LITERAL], [POETIC]; [[RARE]]

  4. Zī 淄／緇 (ant. sù 素 "plain white") refers to the glossy greyish black appearance of dark silk, like the colour of dark earth, and this word seems limited to the description of clothes.

  [ELEVATED], [LITERAL], [SPECIFIC]

  5. Dài 黛 (ant. hào 皓 "shining whie") refers specifically to the dust-glossy black of make-up.

  [ELEVATED], [LITERAL], [POETIC], [SPECIFIC]; [[RARE]]

  6. Lí 黎 / 黧 (ant. sù 素 "pristine white and un-suntanned") refers to the dark sunburnt complexion of those who work in the open for long periods.

  [IDIOMATIC], [LITERAL], [PROSAIC], [SPECIFIC]

  7. Qián 黔 refers to the dark sunburnt complexion of those who work in the open for long periods, especially in qián mín 黔民 "the common people".

  [IDIOMATIC], [LITERAL], [PROSAIC], [SPECIFIC]

  8. Méi 黴 refers to the facial complexion darkened either by exposure to the sun or by sorrow.

  [ELEVATED], [+FIG], [IDIOMATIC], [POETIC!]; [[RARE]]

  9. Zào 皂 (sù 素 "plain undyed white") is also very rare and refers to the appearance of coarse dyed black non-silken textiles, the original reference of the word being to the plant used to produce the black effect.

  [LITERAL], [PROSAIC]

  10. Mò 墨 is basically ink, and by extension the word can come to refer to a dark black colour.

• ARMOUR
  

  [GENERAL/SPECIFIC]

  1. The dominant general term is jiǎ 甲 and this armour is typically made of rhinoceros leather.

  [GENERAL]

  2. Jiè 介 is another common, and syntactically flexible, word for armour.

  3. Kǎi 鎧 refers to metal plate armour.

  [SPECIFIC]

  4. Xuán jiǎ 玄甲 refers to iron plate armour.

  [SPECIFIC]

• WHITE
  

  1. The dominant word for whiteness is bái 白 (ant. hēi 黑 "black").

  2. Sù 素 (ant. zī 緇 "black") refers to a pristine natural absence of colouring close to what we call off white.

  3. Hào 皓 (ant. xuán 玄 and zào 皂 "dark and black") refers to gleaming whiteness.

  4. Ái 皚 refers specifically to the white appearance of snow, xī 皙 refers to the whiteness or paleness of skin, cuǒ 瑳 to the white tinge of jade, pó 皤 refers to whiteness of hair.

  5. Hào 皜 refers to a pure but unshiny white, as in porcelain.

Word relations
• Epithet: (OBSCURE)德/VIRTUE The current general term for salient features and principles of charismatic moral integrity and generosity is dé 德, when used as a term of ethical evalutation; but this word has many other philosophically important meanings. 4 Attributions