ADDRESS  對人法

SPEECH ACT of explicitly addressing an audience.

Hypernym
  • SPEECH ACTRHETORICAL TROPE in the form of a deliberate rhetorico-semantic act performed. [This definition is still a tentative stop-gap, and this category is far larger than I would like. It needs to be intelligently subdivided. CH]
    • RHETORICAL TROPE體裁詞格 RHETORICAL DEVICE mainly concerned with the structural semantics of expressions.
Hyponym
  • ACCUSATIOADDRESS designed to declare one's addressee guilty of a crime.Accusation to the face, typically specifying illegal or immoral acts that are claimed to have been committed by the accused. Greek: kateegoria.
    • ACCUSATIO MUTUA 互相指責法 Mutual ACCUSATIO; later: mutual insult. Also known as ACCUSATIO CONCERTATIVA.Greek: antikateegoria.
    • ADULATIO諂媚對話法 ADDRESS designed to function as flattery.
      • ADULATIO+SELF-DEPRECATION ADULATIO with a strong element of self-deprecation. 典型諂媚﹣自謙法 Self-deprecatory flattery.
        • CAPTATIO BENEVOLENTIAE ADULATIO of a general audience in forensic context, designed to cause the audience to listen with good-will.Open attempt to gain the good-will of the audience by rhetorical means, typically in flattering opening remarks.
          • ADULATIO-FLATTERING-ADDRESS 典型諂媚稱謂法 ADULATIO in the form of a standardised or ritualised flattery through flattering terminology of adress.
            • ADULATIO-FLATTERING-DESCRIPTION 典型諂媚描寫法 ADULATIO in the form of standardised or ritualised flattery through flattering description.
              • ADULATIO+SELF-DEPRECATION-MULITPLE 重疊典型諂媚﹣自謙法 ADULATIO in the form of self-deprecatory flattery, multiple.
              • AVERSIOADDRESS turning towards a person not present or dead. Turning towards a person not present, addressing that person, the address sometimes being even to a dead person or personified things. This is a subcategory of PERSONIFICATIO and VOCATIVUS.
                • QUAESTIOADDRESS in the form of an open question.The posing of open questions without providing or expecting an answer. Compare APORIA, DUBITATIO, HAESITATIO.
                  • COMMUNICATIO QUESTION soliciting advice from one's audience. 請教法 Appeal to the audience with a question what they think.
                    • PROBLEMATISATIO QUAESTIO which raises a question as being unanswerable for the time being. The explicit raising of an (typically abstract) topic as a matter of general theoretical or intellectual interest.
                      • QUAESTIO-SELF-ANSWERED QUAESTIO put to oneself and answered by oneself immediately afterwards in one's text. Asking questions and answering them oneself. Also known as SUBIECTIO. ANTHYPOPHORA
                        • QUAESTIO-RHETORICA QUAESTIO which in fact emphatically affirms its assumed answer. Rhetorical question which is neither concluding nor initial.Traditionally: EROTEMA.
                        • QUAESTIO-ANTICIPATIO-SELF-ANSWERED 預先自問法 Anticipation and answering of possible objections. Often referred to by its Greek name proleepsis.Compare QUAESTIO-SELF-ANSWERED which involves not objections but requests for clarification.
                          • QUAESTIO-LECTORI 問看官法 A question which the reader is asked to answer for himself.Compare the QUASTIO-LECTORI-CONSULTATIVA by which the author asks a communicative question of advice to the reader.
                            • QUAESTIO-LECTORI-CONSULTATIVA 請教讀者法 By the figure QUAESTIO-LECTORI-CONSULTATIVA (traditionally: ANACOENOSIS) the speaker asks counsel of his hearers. Greek: anakoinoosis.
                        • ABOMINATIOADDRESS designed to insult one's addressee.Insulting form of address, direct insult to the face. Contrast EXECRATIO, which is not face-to-face.Greek: bdelygmia (rarely used)
                          • FAMILIARITASFamiliar ADDRESS of an addressee. 狎稱法 Addressing one's audience in markedly familiar terms, within a text.
                            • INVOCATIOEmphatic ADDRESS and appeal to gods or divinities.
                              • IUSIURANDUM INVOCATIO designed as a guarantee of the reliability of a promise.
                              • SYNCHORESISADRESS in the form of a concessed addressed to one's audience. A figure whereby the speaker, trusting strongly in his own cause, freely gives the questioner leave to judge him.
                                • VOCATIVUSADDRESS by name to an addressee.
                                • ABNUENTIAADDRESS in the form of an abrupt and abrasive refusal to do something or to accept a truth claim that has been made.This is very common in Greek and Latin conversational rhetoric.Impolite demonstrative and insulting ABNUENTIA is hard to find in pre-Buddhist texts. Mild ABNUENTIA is common.
                                  • ADHORTATIOADDRESS to an audience in the form of an exhortation or encouragement towards a certain action or a certain kind of recommended behaviour.
                                    • AGITATIO ADHORTATIO which openly encourages coordinated common action, often drastic action.
                                      • PROPAGANDA LITERARY GENRE in the form of an ADHORTATIO that is publicly organised and systematically encourages the social public implementation of an ideology.
                                        • DEPRECATIO ADHORTATIO encouraging empathy for someone criticised, accused, or attacked.
                                        • CERTAMENADDRESS of an audience which picks a verbal fight.
                                          • DIALOGUSMutual ADDRESSING.
                                            • PRAYERFormal ritual ADDRESS to divinities.
                                              • MONOLOGUEADDRESS directed towards oneself only.
                                                • FAMILIARITAS-WITH-AUDIENCE對讀者狎稱法 Addressing the readership of a text in markedly familiar terms.
                                                  • OBSECRATIO呼吁鬼神法 Emphatic rhetorical appeal to the gods or divinities.
                                                    • CONCESSIO承認法 ADDRESS in the form of a concession that there are valid arguments that speak against one's arguments.
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